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Analucía Lopezrevoredo
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Films & TV - Películas y Televisión - filmes e televisão

Explore Jewish life in Latin America through film and television. 


Have a film or series to add to our growing collection? Share it with us!

Submit a latin-jewish film or tv show

O Ano em que Meus Pais Saíram de Férias (Brazil)

O ano em que meus pais saíram de férias (The Year My Parents Went on Vacation) tells the story of 12-year-old Mauro, left behind as his political activist parents flee the repressive Brazilian dictatorship. Now taken in by São Paulo’s tightly knit Jewish community, Mauro will come of age against a backdrop of fear and political repression on the one hand and Brazil’s euphoria over their participation in the 1970 World Cup.

Un beso a esta tierra (Mexico)

Un beso a esta tierra (A Kiss to this Land) is a documentary exploring Jewish migration to Mexico in the 1920s and 1930s, as Jews fled instability in Europe to build new lives across the Atlantic. Inspired by director Daniel Goldberg’s family history, the film weaves archival images, oral histories, and contemporary interviews to portray the challenges of assimilation, loss, and the shaping of Jewish life in the New World.

Whisky (Uruguay)

Whisky is a Cannes-winning, subtly comic film about Jacobo, a joyless sock-factory owner who asks his near-mute assistant Marta to pretend to be his wife to impress his successful brother. As the ruse continues during a trip to a faded childhood resort, the film gently exposes longing, responsibility, and the quiet inheritance of Jewish immigrant life in Uruguay. 

El abrazo partido (Argentina)

El abrazo partido tells the story of Ariel Makaroff, the Argentine grandson of Polish Jewish Holocaust refugees, on a quest for identity and belonging shaped by his absent father. As he seeks Polish citizenship, Ariel navigates daily life among the small merchants of a Buenos Aires shopping gallery, where the search for meaning unfolds amid everyday absurdity and reveals the deeper ties that quietly bind us.

Nuestros desaparecidos (USA)

Nuestros desaparecidos (Our Disappeared) examines Argentina’s brutal military dictatorship (1976–1983), during which more than 30,000 people were forcibly disappeared and countless others detained and tortured. Jewish filmmaker Juan Mandelbaum returns to Argentina after thirty years abroad to trace the regime’s legacy, drawing parallels between the dictatorship’s attempt to erase its victims and the Holocaust. 

Morirse está en hebreo (Mexico)

Morirse está en hebreo (My Mexican Shivah) unfolds over the seven-day shivah for Moishe, a man whose love of life outweighed his devotion to faith. Despite his ambivalence toward tradition, ritual brings together a cast of dysfunctional family members and acquaintances—among them a resentful daughter, a fugitive grandson turned Orthodox, and the local rabbi—who gather in Moishe’s apartment in Mexico City’s Jewish Quarter. 

Ilusiones ópticas (Chile)

Ilusiones ópticas (Optical Illusions) takes a darkly comic look at Chilean society’s obsession with physical appearance. Juan gains his sight after a lifetime of blindness, Manuela weighs the pros and cons of breast augmentation, and David’s teenage son—seeking connection to his Jewish faith—considers a decidedly ill-advised form of bodily alteration. The film weaves these stories into a biting reflection on vanity, identity, and transformation.

Papirosen (Argentina)

Papirosen traces the family history of Argentine director Gastón Solnicki through an intimate archive of home videos collected over many years. Blending this footage with interviews of his Jewish family—including his grandmother, who escaped Nazi captivity as a teenager and survived the Holocaust—the film becomes a personal meditation on memory, survival, and inheritance.

Leona (Mexico)

Leona follows Ariela, a young artist from Mexico City’s Syrian Jewish community, who finds herself torn between family expectations and her growing love for Iván, a non-Jewish man. As pressure mounts to choose an “appropriate” partner, Ariela must weigh personal desire against communal belonging and tradition.

Mazel Tov (Argentina)

Mazel Tov is a comedy-drama about family, loss, and the ties that bind. Darío Roitman returns to Argentina after years in the United States to attend his sister Daniela’s wedding and his niece’s bat mitzvah, only to learn that his father, Salomón, has just died. As celebrations collide with mourning, Darío is forced to reconnect with his siblings, reopening old wounds and igniting new tensions around grief, inheritance, and what it means to come home.

Torah Tropical (Colombia)

Torah Tropical is a documentary about a family in Cali, Colombia, who convert to Orthodox Judaism and dream of relocating to Jerusalem. Living precariously in a beautiful yet dangerous city shaped by unrest and drug-war violence, parents Isska and Menajem believe the Promised Land is calling them home. Their navigation of the formidable barriers of immigration reveals the lengths people will go to seek safety, belonging, and a life of faith.

The Secret Sabbath (Mexico)

The Secret Sabbath follows Jewish individuals in Mexico and the United States as they uncover long-hidden family histories and reveal a powerful fusion of Latin and Jewish heritage. Rejecting rigid categories, the film draws inspiration from the life of Luis de Carvajal the Younger, a 16th-century crypto-Jew in Inquisitorial Mexico who was executed for adhering to the Law of Moses. His story echoes across time, illuminating the enduring struggle to claim identity in the face of persecution.

Nisman: The Prosecutor, the President, and the Spy (Argentina)

This documentary series details the suspicious death of the man who investigated the 1994 bombing of the Argentine Israelite Mutual Association building.

Here There Are Blueberries (Venezuela)

Here There Are Blueberries is based on the true story of a mysterious album of Nazi-era photographs that surfaced at the U.S. Holocaust Memorial Museum in 2007, sparking an international reckoning with what the images reveal about Holocaust perpetrators and moral responsibility. While the story itself is not Latin, the play was conceived and directed by Moisés Kaufman, a Venezuelan-American Jewish artist whose work engages deeply with memory, history, and ethical inquiry.

Tijuana Jews (Mexico)

Tijuana Jews is a documentary exploring the Jewish community that emerged in Tijuana in the early twentieth century as European Jews fled persecution and sought opportunity in Mexico. Directed by Mexican-Jewish filmmaker Isaac Artenstein, the film blends personal memory and oral history to trace how Ashkenazi, Sephardic, and Arabic Jewish immigrants built communal life in a border city shaped by myth, migration, and cultural exchange.

Jubanos - The Jews of Cuba (Cuba)

Jubanos: The Jews of Cuba is an independent documentary by Brazilian filmmaker Milos Silber that traces the history of Jewish life in Cuba before and after the 1961 Revolution. When religion was banned under communism, Cuba’s small Jewish community struggled to survive, leaving roughly 1,500 Jews on the island. Through intimate interviews, the film explores how a new generation is rediscovering and revitalizing Jewish life, raising enduring questions about faith, resilience, and continuity.

El último traje (Argentina)

El último traje (The Last Suit) follows 88-year-old Jewish tailor Abraham Bursztein as he leaves Buenos Aires for Poland in search of the friend who saved his life by helping him escape the Holocaust. The film explores memory, survival, and human connection through an aging survivor determined to keep a long-promised return.

LAID TO REST: BURIED STORIES OF THE JEWISH SEX TRADE (Argentina)

Laid to Rest: Buried Stories of the Jewish Sex Trade (2024), directed by Ornit Barkai, uncovers the hidden history of Jewish women trafficked into Argentina’s sex trade in the late 19th and early 20th centuries. Through historians’ insights and interwoven testimonies across time and place, the film resurrects long-buried stories of exploitation and women’s resistance, while tracing efforts within the Jewish community to confront this abuse.

Puerto Rican Jew (Puerto Rico)

Puerto Rican Jew is a 12-minute, award-winning short film that blends comedy and drama to explore heritage, identity, and belonging. After a Puerto Rican man takes a DNA test and discovers he is half Jewish, he embarks on a heartfelt and humorous journey of self-discovery. Directed by Louis Carrasco, a Bronx-based videographer and photographer, the film reflects Carrasco’s signature style of weaving comedy with drama. 

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